2 min readfrom Hawaii News, Advice, and Aloha

Merrie Monarch

Our take

Aloha mai! My journey with the Merrie Monarch Festival began in the Philippines, where I first stumbled upon videos showcasing captivating performances during my summer breaks. The 2013 auana by Halau o Kamuela left a lasting impression, while the kahiko performances from Halau o Hokulani and Halau Hula Olana further fueled my fascination. As I transitioned to online livestreams, particularly the 2021 festival, hula inspired my pursuit of Anthropology and History. Over the years, I've noticed shifts in the music and style, especially since 2022, with auana sounds becoming more jazzy and reminiscent of modern OPM bands. Additionally, I've observed changes in hula pahu performances, particularly the use of two-handed drums. I'm eager to hear everyone’s thoughts on these evolutions! Mahalo nui!

The Merrie Monarch Festival, revered as the pinnacle of hula competitions, holds a special place in the hearts of both locals and those around the world who are drawn to Hawaiian culture. As shared by Andrei Jose Siosana, a viewer from the Philippines, his journey into the world of hula began with a chance encounter during a summer break. Viewing performances like the 2013 auana of Halau o Kamuela opened his eyes to a vibrant tradition that transcends geographical boundaries and cultural definitions of folk dance. This highlights not only the festival's global reach but also the transformative power of cultural exchange, a theme echoed in discussions about the evolution of hula and its representation in today's society. For those interested in the historical context of hula, articles like Hula Kāne illuminate how the art form has evolved, particularly regarding gender representation.

Siosana’s observations about the noticeable changes in rhythm and style over the years are particularly thought-provoking. The shift towards a more contemporary sound, reminiscent of modern OPM band music, raises questions about the balance between tradition and innovation. As he points out, the introduction of jazzy elements in auana music and the evolution of kahiko performances—where he noted a preference for hula pahu using two hands—signals a broader trend in performing arts to adapt while maintaining cultural authenticity. This evolution may resonate with many festival-goers who are keen to witness how traditional practices embrace modern influences while still honoring their roots. Discussions surrounding these changes provide a rich opportunity for cultural dialogue, reflecting the ongoing negotiation between heritage and contemporary expression, as seen in related community feedback articles like [Meta] Rule updates & community feedback](post/meta-rule-updates-community-feedback-cmp4d7vr002z3p2q5i1l28yfz).

Moreover, Siosana's journey from a curious viewer to an anthropology enthusiast showcases the profound impact that cultural performances like the Merrie Monarch can have on individuals. The festival not only serves as a platform for showcasing the beauty of hula but also as a catalyst for deeper understanding and appreciation of Hawaiian history and identity. This underscores the importance of events that foster cultural pride and community, allowing participants and spectators alike to explore their connections to the art form. As we engage with these performances, we are reminded of the significance of cultural storytelling and the ways in which art can inspire academic pursuits and personal growth.

Looking ahead, it will be fascinating to observe how the Merrie Monarch continues to evolve while keeping its core values intact. Will future performances further blend traditional styles with contemporary influences, or will there be a resurgence of classic interpretations? As audiences grow more diverse, the festival may find itself at a crossroads, navigating the delicate balance between honoring its rich legacy and appealing to new generations of hula enthusiasts. Siosana’s reflections invite us to consider how we, too, can contribute to the conversation surrounding cultural identity and expression in a globalized world, ensuring that the spirit of hula remains vibrant and accessible for years to come.

Aloha mai!

I'm from the Philippines and I first saw videos of the Merrie Monarch while I was scrolling through folk dances during my elementary summer break on my mother's office laptop. I was watching East Asian fan dances back then and had a rigid structure of what folk dances were. The first performance I watched was the 2013 auana of Halau o Kamuela with their O'ahu Medley. The first kahiko performance I saw was Halau o Hokulani then Halau Hula Olana both from 2009 [videos since deleted during the pandemic]. The first livestream I caught was 2021's as I was given my first laptop for school purposes. Hula is what inspired me to pursuit Anthropology and History.

With all that said I've noticed a change in both beats and melody compared to a decade ago, moreso compared to older verions of the festival. This change became quite prominent to meat at least since 2022. I love the modern costumes and the even more detailed ornaments (I greately pray the Ohia death shall subside) but I feel like the auana music sounds more jazzy, sounds similar to what my country's modern OPM band music. Regards to Kahiko, the main difference for me is on Hula Pahu, I noticed that a lot of hula this year had two hands instead of having the smaller drum. Why is that?

Thank you for reading through my long post! I greately await on everyone's opinion on this. Mahalo nui!

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#Merrie Monarch#Hula#auana#kahiko#Halau o Kamuela#O'ahu Medley#Halau o Hokulani#Halau Hula Olana#folk dances#beats#melody#modern costumes#ornaments#Hula Pahu#jazz#OPM band#change#2022#East Asian fan dances#Ohia death
Merrie Monarch | Hanalei Country Club